Chroma 11 is an immersive experience based on the true story of lost love, that expands the boundaries of moving images with VR technology. Through clips of rearranged memories and volumetric video, the creative team reconstructs the parted souls in the form of a duo dance after life. 　　源自：https://www.ji-hlava.com/filmy/chroma-11

A German police state of the past is the setting for the pulsating short film thriller Es gibt keine Angst (Afraid Doesn’t Exist). In it, Anna Zett collages video and audio material from the Berlin Archive of the GDR Opposition, partially taking the perspective of a sensitive child. Based on her own intimate involvement, the artist traces a successful, yet mostly unknown act of resistance at the very end of the GDR, while at the same time opening up an associative space for connecting with experiences of violence that are otherwise difficult to access today. Vocally highly condensed voices from a 1986 East Berlin poetry reading support the voiceless narrator – “an adult child” – in the reconstruction of her own emotional world, as does the multi-layered musical score. From footage of the environmental library to private videos and journalistic material, the film leads to the second occupation of the Stasi headquarters in Berlin-Lichtenberg in September 1990, where it settles into a very different mood. 　　源自：https://www.berlinale.de/en/2023/programme/202312726.html

A German police state of the past is the setting for the pulsating short film thriller Es gibt keine Angst (Afraid Doesn’t Exist). In it, Anna Zett collages video and audio material from the Berlin Archive of the GDR Opposition, partially taking the perspective of a sensitive child. Based on her own intimate involvement, the artist traces a successful, yet mostly unknown act of resistance at the very end of the GDR, while at the same time opening up an associative space for connecting with experiences of violence that are otherwise difficult to access today. Vocally highly condensed voices from a 1986 East Berlin poetry reading support the voiceless narrator – “an adult child” – in the reconstruction of her own emotional world, as does the multi-layered musical score. From footage of the environmental library to private videos and journalistic material, the film leads to the second occupation of the Stasi headquarters in Berlin-Lichtenberg in September 1990, where it settles into a very different mood. 　　源自：https://www.berlinale.de/en/2023/programme/202312726.html

Joe（鄧光榮飾）為人正直、有義氣、處事從不拘泥苟且。Joe之兄長誤交損友，被亡命之徒所謂「兄弟」（張國柱、江富德、周比利分飾）陷害，身陷囹圄。Joe替其兄不值，向匪徒討回其兄應得之鉅款，豈料匪徒們因財失義，頓起殺機。Joe不防暗箭，急逃以避其鋒。危急之際，幸遇一美麗動人的芭蕾舞教師Ann（鄭文雅飾）義助，得以脫險……

東京都内の新聞社の社内を舞台に繰り広げられる完全オリジナルストーリー。新聞社に新入社員として入社した荻野演じる主人公。スポーツ観戦が大好きな彼女は、大ファンのプロサッカーチームを記者として取材をしたい！と期待に胸を膨らませていたが、配属先はスポーツとは無縁のグッズ企画販売課。しかも、スポーツからはかけ離れた食品担当部門で、餃子の企画を任されることに!?　配属先に納得いかず、嫌々ながらも餃子作りの勉強に訪れたのは、創業40年を迎える老舗中華料理屋。そこで師匠として餃子作りを教わる頑固で気の強い店主と出会う。最初は強面の店主とすれ違いが起こるも、老舗店を続ける店主の思いに心動かされていく主人公。スポーツ記者と餃子修行という異色な組み合わせから生まれるハートフルヒューマンコメディー。

他（她）们作为不被目前社会所认知的一小部分人群，饱受着社会、家庭带来的不解和歧视，他们经历着各种暴力问题、工作歧视问题以及医疗问题。通过8位跨性别者以及他们的家人、医生，和我们最真实的镜头故事，带你走近、了解、认识他（她）们。该纪录片由野心视频出品。

查理（塞米•鲍亚吉拉 Sami Bouajila 饰）、比拉奥（让-马切•波特Jean-Michel Portal 饰）、利奥（罗曼•达瑞斯 Romain Duris 饰）是三个被父母抛弃的孩子，幸好被雕塑家巴布罗（亚历桑德罗•佐杜洛夫斯基 Alejandro Jodorowsky 饰）收留。在巴布罗的照料下，他们都顺利长大成人了。如今巴布罗年事已高，在人生的最后时光，他最大的愿望就是再看一眼红色的圣母玛丽亚雕塑。几个年轻人一头雾水，因为养父可是坚决的反基督人士，现在居然会提出这种要求，而那个价值连城、被严密看管的雕塑竟还远在西班牙！这下可给查理等人出了难题，但为了报答养父的养育之恩，几个年轻人只好硬着头皮上路了……

当神秘的位面融合发生，全人类被卷入诡异世界。这里危机四伏，恐怖的怪物、未知的陷阱时刻威胁着生命，稍有不慎便会万劫不复。但同时，难以想象的机遇也隐藏其中，稀世珍宝、强大技能等待有缘人发掘。在这绝境中，人类能否利用机遇克服危险，闯出一条求生之路？

They’re the band that everybody has an opinion on, the band that spawned a thousand copyists but combusted too soon to achieve their true potential. In 2004, two years after releasing their first single, The Libertines split. Then in 2010, Carl Barat, Pete Doherty, John Hassall and Gary Powell reunited to play Reading and Leeds, the biggest shows of their career. 　　Frequently described as the UK’s most important music photographer and photojournalist, Roger Sargent was responsible for shooting many iconic photos of this acclaimed British band. His debut feature THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is an all-access music documentary that spans the period of time from the announcement of this reunion to the weekend of Reading and Leeds. With unrivalled access to their inner sanctum, Sargent’s aim was to look beyond tabloid headlines and give an intimate insight into a band reforming and friendships repaired. Rather than taking a strictly linear approach, it’s the spirit that Sargent wanted to capture: stories and moments retold and relived by the band themselves. This includes whimsical, romantic snapshots of the bands history told by band members in locations which resonate with them: for example, a day with Pete in Paris, and Carl giving a guided tour of the “Libertines East End” including a visit to Bethnal Green’s Libertine Alley which is graffiti-scrawled with song lyrics, and Brick Lane’s famous bagel shop. Profiling each band member individually and collectively – something which has never been done before – each of the boys have the chance to put their story in their way. Including access to rehearsals, warm-up gigs at The Forum, and the Reading/Leeds weekend, the film also makes use of Sargent’s unparalleled archive of photos, and altogether it’s as much about the band rediscovering The Libertines as everyone else. 　　Thanks to Roger’s long history with the band, The Libertines goes behind the tabloid headlines to give viewers unrivalled access to the love, laughter, passion and power of a band which united and inspired a generation.” 　　Following a brief sojourn at Melody Maker and ID Magazine, Roger Sargent went to NME, surviving trauma and trends for over a decade. Having worked for Rolling Stone, Mojo, Daily Telegraph, and The Guardian amongst others, he has most recently won critical and popular acclaim for two major exhibitions, The Libertines – Boys In The Band and Future Legends. An exhibition of his photography will run in Spitalfields Market for the duration of East End Film Festival. THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is his debut feature.